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"By Jove, you know, it is odd," says Geoffrey, presently, speaking as one might who has for long been following out a train of thought by no means unpleasant, "his sending for her, and that: there must be something in it. Rodney didn't write to her for nothing. It must have been to——" Here he checks himself abruptly, remembering his promise to Mona to say nothing about the scene in the library. "It certainly means something," he winds up, a little tamely.,

"Yes, I am Mrs. Rodney," says Mona, feeling some pride in her wedded name, in spite of the fact that two whole months have gone by since first she heard it. At this question, though, as coming from a stranger, she recoils a little within herself, and gathers up her gown more closely with a gesture impossible to misunderstand.,

"How you were all laughing when we came in!" says Violet, presently: "we could hear you all along the corridor. What was it about?",

"I am glad you have at last deigned to take some small notice of me," says he, with a faint touch of pique in his tone. And then, looking at him again, she sees it is the young man who had nearly ridden over her some time ago, and tells herself she has been just a little rude to his Grace the Duke of Lauderdale.

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"He's covered, safe enough. They've throwed an ould sheet over him,—over what remains of him this cruel day. Och, wirra-wirra!" cries the woman, suddenly, throwing her hands high above her head, and giving way to a peculiar long, low, moaning sound, so eerie, so full of wild despair and grief past all consolation, as to make the blood in Rodney's veins run cold.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.",

"Come and sit by me. You can spare me a few minutes," she says, drawing her ample skirts to one side. Mona, taking her hand from Lauderdale's arm, drops into the proffered seat beside his mother, much to that young man's chagrin, who, having inherited the material hankering after that "delightful prejudice," as Theocritus terms beauty, is decidedly epris with Mrs. Geoffrey, and takes it badly being done out of his tete-a-tete with her.,

Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability.